Architectural Features
Newton House is listed category B and the centre core is 17th century; it is three storeys with a raised entrance staircase above a basement floor. Two wings were added and the date stone was inscribed AD/JD 1778. The Garden Walls are listed category B and the brick wall behind the greenhouse is dated 1846. Two sides of the wall have been rebuilt by Mr Parkin-Moore within the last twenty years.
The Stone Fountain was brought back from Italy in 1846 by Alexander Gordon. It cost 25 pounds and is a flat stone tarza on a pedestal with four lion masks at its base. There are two significant Pictish Stones inscribed in Ogham. Other ornaments include Urns, Vases, Terracotta Pots, Wrought-Iron Figured Garden Seats, and Far Eastern Figurines.
Parkland
The parkland stretches across the River Urie south towards the woodland beyond, and is divided into two by the drive. The policies extend all round the house. Many of the remaining trees date back to c.1850, suggesting that it was laid out by Alexander Gordon. Many of the trees shown on the OS plan of 1878 have gone and those that remain are mainly limes, horse chestnuts, sycamore and ash. The pasture was being cut for a crop of hay at the time of our survey.
Woodland
The woodland divides into two areas: the shelterbelt strips and the block sheltering the garden and house. The earliest trees date back to c.1800-30 and are mainly broad- leaved: beech, sycamore and ash. All the woodlands, but particularly the block behind the house, were ravaged in the 1953 gale. The inner compartments have been replanted with conifers, mainly Sitka spruce. Within the woodland there are some magnificent specimen conifers, including several Lawson cypress varieties such as the weeping blue lawson, Chamaecyparis lawsoniana 'Glauca Pendula', Douglas firs, Chamaecyparis nootkatensis, a large blue cedar (Cedrus atlantica 'Glauca'), and a good Cedrus deodora, and several large Wellingtonias (Sequoiadendron giganteum).
Walled Gardens
The path to the walled garden begins at the front door of the house and acts as an overture for the masterpiece behind the brick walls. The first garden is a small woodland glade sheltering the two Pictish stones set upright into a lawn and overshadowed by the Wellingtonias. It continues through a small wrought- iron gate which opens into the water garden. The series of small pools were made from a burn and have been surrounded by special bogside plants including fine clumps of Turk's cap lilies, Kiregeshoma palmata and Ligularia clivorum. The walk leads into a square garden bordered by yew and with the four corners marked out by upright Irish yews. Opposite this is a memorial to the creator, Alexander Parkin-Moore, erected by his wife and sister.
The walled garden is divided into a series of compartments which are carefully blended together creating illusions of space. As the visitor enters the north-west quarter, the path winds through a dense mixed border designed to provide surprise views to unexpected objects such as statues, vases or seats. The path leads to a large water feature made from two ponds placed in front of the walls of the old glasshouse. A long vista from the ponds runs down between scalloped yew hedges on either side of a central path to the Italian fountain. The eastern section is the vegetable garden. In the west area there is an orchard, fruit cage and cutting borders. The south wall has been planted up with choice shrubs such as large tree paeonies, Clematis varieties, and a range of interesting herbaceous plants underneath. About twenty years ago, Norway spruce were planted as a crop of Christmas Trees in the south-west quarter; today they have outgrown their original purpose.
Many interesting plants create the contrasting textures and shapes so much part of this garden's design. They include Viburnums, Philadelphuses, dwarf conifers, roses, (mainly the old fashioned varieties), Olearia macrodonta, Garrya elliptica, and many others. The garden has been planted with an artist's eye for colour and texture, and its sense of peace and charm is difficult to convey in words.