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This building is in the Moray Council and the Keith Burgh. It is a category A building and was listed on 22/02/1972.

Group Items: N/A, Group Cat: N/A, Map Ref: NJ 4298 5023.


1831, Father Walter Lovi; dome, enlarged sanctuary and

internal decoration by C J Menart, Glasgow, 1916. Prominently

sited, neo-classical/Baroque cruciform church incorporating

2-storey presbytery at rear (W). Polished ashlar E front,

tooled rubble flanks with ashlar margins and dressings.

3-bay pilastered entrance front, centre bay slightly advanced

with 2-stages, each delineated by paired pilasters, upper

stage pedimented and flanked each side by bold decorative

scrolled consoles; centre entrance with pedimented doorpiece

flanked by corniced panels with inset round-headed niches

each housing statue. Substantial octagonal facetted copper

covered concrete some spans crossing with shaped lunette in

each face and apex cross finial. 2 round-headed windows in N

and S transepts. Rear 2 bays incorporate presbytery with 2

windows each floor including dormerless attic in W gable.

Projecting 2-storey canted window at SW; 2-pane glazing.

Ridge stack; slate roofs.

INTERIOR OF CHURCH: 1916 Corinthian pilastered interior;

pilastered and pedimented panel incorporates Francois Dubois'

painting, 'The Incredulity of St Thomas' as altarpiece; deep

main cornice; simple plaster details to dome interior.

Gallery at E end with plain front; pine pews.


Ecclesiastical building in use as such. Opened for worship 1 August 1831. Date of church also said to be 1828 (NSA). Inscrption on frontage reads 'Columna et Firmametum Veritatis'. Father Walter Lovi was priest at Keith between 1835-1837 and is reputed to have designed RC churches at Wick (1837), Braemar (1839) and Chapelton, Glenlivet (1840, dem. 1897). Dubois' painting gifted to Father Lovi for church by Charles X of France. Upgraded: B to A, 24.3.88


NEW STATISTICAL ACCOUNT xiii (1842), p. 391. George Hay, THE ARCHITECTURE OF SCOTTISH POST-REFORMATION CHURCHES 1560-1843 (1957), pp. 157, 251. Howard Colvin, A BIOGRAPHICAL DICTIONARY OF BRITISH ARCHITECTS (1978), p. 526. Angus J Howat and Mike Seton, CHURCHES OF MORAY (1981), p. 32. BANFFSHIRE HERALD, 10 October 1981.

© Crown copyright, Historic Scotland. All rights reserved. Mapping information derived from Ordnance Survey digital mapping products under Licence No. 100017509 2012 . Data extracted from Scottish Ministers' Statutory List on . Listing applies equally to the whole building or structure at the address set out in bold at the top of the list entry. This includes both the exterior and the interior, whether or not they are mentioned in the 'Information Supplementary to the Statutory List'. Listed building consent is required for all internal and external works affecting the character of the building. The local planning authority is responsible for determining where listed building consent will be required and can also advise on issues of extent or "curtilage" of the listing, which may cover items remote from the main subject of the listing such as boundary walls, gates, gatepiers, ancillary buildings etc. or interior fixtures. All category C(S) listings were revised to category C on 3rd September 2012. This was a non-statutory change. All enquiries relating to proposed works to a listed building or its setting should be addressed to the local planning authority in the first instance. All other enquiries should be addressed to: Listing & Designed Landscapes Team, Historic Scotland, Room G.51, Longmore House, Salisbury Place, EDINBURGH, EH9 1SH. Tel: +44 (0)131 668 8701 / 8705. Fax: +44 (0)131 668 8765. e-mail: hs.listing@scotland.gsi.gov.uk. Web: http://www.historic-scotland.gov.uk/historicandlistedbuildings.

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Buildings are assigned to one of three categories according to their relative importance. All listed buildings receive equal legal protection, and protection applies equally to the interior and exterior of all listed buildings regardless of category.

ACategory A

Buildings of national or international importance, either architectural or historic, or fine little-altered examples of some particular period, style or building type. (Approximately 8% of the total).

BCategory B

Buildings of regional or more than local importance, or major examples of some particular period, style or building type which may have been altered. (Approximately 51% of the total).

C(S)Category C(S)

Buildings of local importance, lesser examples of any period, style, or building type, as originally constructed or moderately altered; and simple traditional buildings which group well with others in categories A and B. (Approximately 41% of the total).