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52-54 (EVEN NOS) LANGSIDE DRIVE (Ref:33936)

This building is in the Glasgow Council and the Glasgow Burgh. It is a category A building and was listed on 19/03/1991.

Group Items: N/A, Group Cat: N/A, Map Ref: NS 5731 6034.


Late 19th century. Symmetrical 2-storey, 6-bay double villa. Snecked and stugged cream sandstone with red ashlar dressings. Rock faced base course; cill course to 1st floor; frieze; eaves course. Mullioned windows.

E (FRONT) ELEVATION: to ground floor, to 2nd and 5th bays from left, slated bows with brattishing; recessed, slightly lower outer bays, accommodating porch and stair, each with steps to round-arched, bolection moulded doorway with timber-panelled and glazed doors flanked by narrow margin lights; canted tripartite window above; large round-arched stair window on gable returns. To inner bays to ground floor and 2nd and 5th bays to 1st floor, tripartite windows; bipartite windows to inner bays to 1st floor.

W (REAR) ELEVATION: small single storey, 2-bay jerkin-headed piended wings projecting from outer bays to ground floor. Predominantly bipartite windows to each floor. Mansard dormer to roof between stacks at right.

GLAZING etc: predominantly plate glass in timber sash and case windows, stair windows and some upper sashes incorporating stained glass (see Interior). Predominantly piended slate roof with bracketed eaves. Battered, corniced stone stacks with circular cans. Some cast-iron rainwater goods with ornamental hoppers and brackets.

INTERIOR: to ground floor: S Bow (the Music Room); to windows, upper sashes contain Pre-Raphaelite style stained glass figures of musicians (circa 1898; possibly adaptations of designs made for McCulloch and Co by David Gould); fittings include corniced doorcases, timber chimneypiece flanked by glass-fronted cabinets incorporating stained glass floral panels over recessed seats. Broad frieze with stencilled maidens in stylised bowers, painted with ceramic / glass bosses, in the style of Jessie M King; strapwork style plasterwork to ceiling. N Bow; woodwork and frieze similar to S Bow, to upper sashes of windows, simpler stylised stained glass floral motifs; simpler cabinets flanking chimneypiece. To adjoining rooms to ground floor, some stained glass incorporating Germanic style portrait head roundels. To South Stair: stylised woodwork and plasterwork swag frieze; large round-arched stair window with stained glass (designed by Harrington Mann, circa 1898) depicting Harvest scene with classical maidens carrying fruit with inscription above; adjacent window with painted glass oval of a Continental picturesque street-scene. To North Stair; round-arched stair window with stained glass composition of a galleon (possibly designed by E A Taylor). Other, more restrained Glasgow-style details continued in upstairs bedrooms.

WALLS AND GATEPIERS: low, coped ashlar garden wall to Langside Drive, rising in stylised buttresses to 2 pairs of corniced gatepiers (one pier renewed); walls enclosing rear garden. Early 20th century timber framed garage to N side of house.


Listed for its exceptional, near intact Glasgow Style interior. Also as a good example of late 19th century Arts and Crafts architecture and for its connection with some of the leading craftsmen of the Glasgow Style. Nos. 52 and 54 Langside Drive were conceived as a double villa. However, from circa 1897 onwards they were occupied as one house, 'Hughenden', by Hugh McCulloch, a prominent Glasgow Style craftsman. His firm, McCulloch and Co, worked for Wylie and Lochhead executing decorative and stained glass commissions designed by E A Taylor and John Ednie among others. McCulloch did all the stained glass and most of the paintwork for Wylie and Lochhead at the 1901 Glasgow Exhibition, and later worked for Charles Rennie Mackintosh, executing all he glass for the Room De Luxe in Miss Cranston's Willow Tearooms, and at Hill House, Helensburgh. McCulloch himself commissioned the interior decoration of his house at 52-54 Langside Drive, circa 1902. Donnelly attributes the interior design of the house to E A Taylor for Wylie and Lochhead; however, there is no known documentary evidence to confirm this, and it is possible that work could be by John Ednie; both designers were working for Wylie and Lochhead circa 1902-4, and the firm maintained a 'house style'. However, Taylor's interior work at Lord Weir's House, No 68 Glencairn Drive, Pollockshields (illustrated by Larner (Fig 92), also see The Studio, Vol. 33, (1904), pp215-223), is very similar to work at 52-54 Langside Drive, particularly the Music Room fireplace scheme with flanking cupboards and decorative frieze above. These friezes echo the decorative work of Jessie King, whom Taylor married in 1908. Muthesius also illustrates comparable interior schemes by Taylor. In the latter half of the 20th century, 52-54 Langside Drive was linked with 56 Langside Drive (see separate Listing) to form a residential home. In 2003 the linking sections were removed, and the two buildings were returned to individual residential use.


H Muthesius, DAS ENGLISHE HAUS (THE ENGLISH HOUSE), (1904, English edition 1979), Figs. 120, 439, 440. G & C Larner, THE GLASGOW STYLE, (1979). M Donnelly, GLASGOW STAINED GLASS, (1981), pp26-29. THE GLASGOW STYLE 1890-1920, Exhibition catalogue, (1984). J Kinchin, 'The Wylie and Lochhead Style', JOURNAL OF THE DECORATIVE ARTS SOCIETY, Vol 9, 1985. E Williamson, A Riches, M Higgs, THE BUILDINGS OF SCOTLAND: GLASGOW, (1990), p543.

© Crown copyright, Historic Scotland. All rights reserved. Mapping information derived from Ordnance Survey digital mapping products under Licence No. 100017509 2012 . Data extracted from Scottish Ministers' Statutory List on . Listing applies equally to the whole building or structure at the address set out in bold at the top of the list entry. This includes both the exterior and the interior, whether or not they are mentioned in the 'Information Supplementary to the Statutory List'. Listed building consent is required for all internal and external works affecting the character of the building. The local planning authority is responsible for determining where listed building consent will be required and can also advise on issues of extent or "curtilage" of the listing, which may cover items remote from the main subject of the listing such as boundary walls, gates, gatepiers, ancillary buildings etc. or interior fixtures. All category C(S) listings were revised to category C on 3rd September 2012. This was a non-statutory change. All enquiries relating to proposed works to a listed building or its setting should be addressed to the local planning authority in the first instance. All other enquiries should be addressed to: Listing & Designed Landscapes Team, Historic Scotland, Room G.51, Longmore House, Salisbury Place, EDINBURGH, EH9 1SH. Tel: +44 (0)131 668 8701 / 8705. Fax: +44 (0)131 668 8765. e-mail: hs.listing@scotland.gsi.gov.uk. Web: http://www.historic-scotland.gov.uk/historicandlistedbuildings.

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Buildings are assigned to one of three categories according to their relative importance. All listed buildings receive equal legal protection, and protection applies equally to the interior and exterior of all listed buildings regardless of category.

ACategory A

Buildings of national or international importance, either architectural or historic, or fine little-altered examples of some particular period, style or building type. (Approximately 8% of the total).

BCategory B

Buildings of regional or more than local importance, or major examples of some particular period, style or building type which may have been altered. (Approximately 51% of the total).

C(S)Category C(S)

Buildings of local importance, lesser examples of any period, style, or building type, as originally constructed or moderately altered; and simple traditional buildings which group well with others in categories A and B. (Approximately 41% of the total).