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This building is in the Edinburgh Council and the Edinburgh Burgh. It is a category A building and was listed on 14/12/1970.

Group Items: (see Notes), Group Cat: A, Map Ref: NT 2409 7357.


Song School designed by John Oldrid Scott 1881, built by Robert Rowand Anderson 1888-1892; with murals by Phoebe Anna Traquair, 1888 - 92. Walpole Hall, Lorimer and Matthew, 1933. Halls linked at SW corner by single storey corridor block (circa 1933). Later flat roofed single storey addition at E. Set on site adjacent to St Mary's Cathedral.

SONG SCHOOL: single storey rectangular-plan Scots Baronial church hall. Squared and snecked sandstone; low stone buttresses. Moulded string course, stepped to become cill course at windows. Crow stepped gables; twin gables breaking wallhead to N elevation; single gable to S. Steeply pitched roof and small louvered and slated fleche to centre. Prominent stone transomed and mullioned windows, with sandstone ashlar cills, lintels and rybats. INTERIOR: small entrance vestibule leading to large barrel-vaulted hall, library to S. Additional doorway to NE corner accessing small single storey block linking to Walpole Hall. MURALS: on the theme of the Benedictine, predominantly in red and blue. Choir and clergy, Pentecost and Christ's empty tomb. To E wall. Verses from the canticles and portraits of Traquair's contempories (D.G. Rossetti, W. Holman-Hunt, G.F. Watts) to S wall. Choristers and birds singing together and panel of eminent figures in history such as Dante and Blake to N. Four beasts and seraphs singing Sanctus to W.

WALPOLE HALL: single storey, 4-bay, rectangular-plan hall. Squared and snecked sandstone. Corniced eaves course to E and W elevations. Low wallhead broken by tall shaped dormers. Additional lower curved gable to S elevation. Single storey porch to N gable with moulded surround and carved relief panel; oculus above with moulded keystoned surround. INTERIOR: small entrance vestibule to Chester Street leading to large barrel vaulted hall. Plain interior with timber floor and panelled timber dado. Raised stage to S, flanking doors with small glazed panels leading to further rooms to rear (S) of building; top lit corridor to left. Additional entrance to rear at right giving access to small single storey block linking to Song School and to exterior.

Predominantly timber sash and case windows throughout with large 9 over 15-pane windows to dormers at Walpole Hall. Steep pitched roofs; grey slates. Tall shaped and buttressed chimneystack with modern clay cans to S elevation of Song School. Cast-iron rainwater goods.


The Song School and Walpole Hall are important ancillary structures to St. Mary's Cathedral and the murals by Phoebe Anna Traquair are considered outstanding examples of her work. The Song School is representative of the work of John Oldrid Scott (son of GG Scott) and R R Anderson (former assistant to GG Scott) who executed the project to Scott's designs. Walpole Hall is a good example of the work of Lorimer and Matthew. Probably executed by John Matthew. Both buildings are of high quality in design and execution and respond to their site alongside St. Mary's Cathedral. The murals by Phoebe Anna Traquair date from 1888 -1892 and are some of the earliest and best examples of her work. After completing the Song School murals she also worked with R R Anderson painting her most ambitious scheme at the Catholic Apostolic Church in East London Street, Edinburgh (1893 -1901) (see separate listing). Traquair was one of the most talented and renowned decorative artists of her time and is now considered to be an internationally important figure in the Arts and Crafts movement. Initially inspired by medieval manuscripts she was also familiar with the work of D G Rossetti, John Ruskin and William Morris amongst others. By the 1900s, her attention had turned to applied art, enamelling jewellery. (Category changed from B to A and list description revised 2009 as part of resurvey.)


Ordnance Survey, Large Scale Town Plan, (1893 -94). J Gifford, C McWilliam, D M Walker, The Buildings of Scotland: Edinburgh (1988) p. 366; Youngson, The Making of Classical Edinburgh, (1988) p. 215; RCAHMS broadsheet 13, Miles Glendinning, Alison Darragh, St. Mary's Episcopal Cathedral, Edinburgh, A Short History and Guide, 2002; www.cathedral.net (accessed 13/5/2008); Country Life, Hubert Fenwick, Monumental but Not Romantic, 25.10.1979; Foskett, The Pictorial History of St. Mary's Cathedral, Edinburgh 1814 -1964, 1959; J.A. Shaw, In the end the beginning: an account of St. Mary's Cathedral Edinburgh 1814 - 1964, 1964. The Builder, 2nd April 1892.

© Crown copyright, Historic Scotland. All rights reserved. Mapping information derived from Ordnance Survey digital mapping products under Licence No. 100017509 2012 . Data extracted from Scottish Ministers' Statutory List on . Listing applies equally to the whole building or structure at the address set out in bold at the top of the list entry. This includes both the exterior and the interior, whether or not they are mentioned in the 'Information Supplementary to the Statutory List'. Listed building consent is required for all internal and external works affecting the character of the building. The local planning authority is responsible for determining where listed building consent will be required and can also advise on issues of extent or "curtilage" of the listing, which may cover items remote from the main subject of the listing such as boundary walls, gates, gatepiers, ancillary buildings etc. or interior fixtures. All category C(S) listings were revised to category C on 3rd September 2012. This was a non-statutory change. All enquiries relating to proposed works to a listed building or its setting should be addressed to the local planning authority in the first instance. All other enquiries should be addressed to: Listing & Designed Landscapes Team, Historic Scotland, Room G.51, Longmore House, Salisbury Place, EDINBURGH, EH9 1SH. Tel: +44 (0)131 668 8701 / 8705. Fax: +44 (0)131 668 8765. e-mail: hs.listing@scotland.gsi.gov.uk. Web: http://www.historic-scotland.gov.uk/historicandlistedbuildings.

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Buildings are assigned to one of three categories according to their relative importance. All listed buildings receive equal legal protection, and protection applies equally to the interior and exterior of all listed buildings regardless of category.

ACategory A

Buildings of national or international importance, either architectural or historic, or fine little-altered examples of some particular period, style or building type. (Approximately 8% of the total).

BCategory B

Buildings of regional or more than local importance, or major examples of some particular period, style or building type which may have been altered. (Approximately 51% of the total).

C(S)Category C(S)

Buildings of local importance, lesser examples of any period, style, or building type, as originally constructed or moderately altered; and simple traditional buildings which group well with others in categories A and B. (Approximately 41% of the total).